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Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...
Gravestone cleaning is a practice that both professionals and volunteers can do to preserve gravestones and increase their life spans. Before cleaning any gravestones, permission must be given to the cleaner by a "descendant, the sexton, cemetery superintendent or the town, in that order. If unsure who to ask, go to your town cemetery keeper ...
Instead, most Mesoamerican funerary art takes the form of grave goods and, in Oaxaca, funerary urns holding the ashes of the deceased. Two well-known examples of Mesoamerican grave goods are those from Jaina Island, a Maya site off the coast of Campeche, and those associated with the Western Mexico shaft tomb tradition. The tombs of Mayan ...
Where Hopper lived in New York City, 3 Washington Square North Gravestone of Edward and Josephine Hopper, Oak Hill Cemetery, Nyack, N.Y. Hopper died of natural causes in his studio near Washington Square in New York City on May 15, 1967. He was buried two days later in the family plot at Oak Hill Cemetery in Nyack, New York, his place of birth ...
Collins was the son of Benjamin Collins (1691–1759), a cabinet maker and prolific gravestone craftsman. [2] Collins' older brother Julius Collins (1728–1758) was also a gravestone carver and later a military man. Collins learned and worked under his father during the early 1750s, but by 1755 had begun carving full stones on his own. [2]
The earliest English church monuments were simple stone coffin-shaped grave coverings incised with a cross or similar design; the hogback form is one of the earliest types. The first attempts at commemorative portraiture emerged in the 13th century, executed in low relief, horizontal but as in life.
Funerary altar from the Via Triumphalis necropolis (AD 60–70). In ancient Rome, Roman citizens would memorialize their dead by creating cippi or grave altars. These altars became, not just commissioned by the rich, but also commonly erected by freedmen and slaves. [3]
The Grave Stele of Hegeso, most likely sculpted by Callimachus, is renowned as one of the finest Attic grave stelae surviving (mostly intact) today. Dated from c. 410 – c. 400 BCE , [ 1 ] it is made entirely of Pentelic marble .