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Superimposition is the placement of one thing over another, typically so that both are still evident. Superimpositions are often related to the mathematical procedure of superposition . Audio
A multi-exposure composite image of the October 2004 lunar eclipse taken from Hayward, California. In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
The mathematical representation of these patterns is not trivially obtained and can seem somewhat arbitrary. In this section we shall give a mathematical example of two parallel patterns whose superimposition forms a moiré pattern, and show one way (of many possible ways) these patterns and the moiré effect can be rendered mathematically.
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
Deleuze writes on the multitude of movement-images that "[a] film is never made up of a single kind of image […] Nevertheless a film, at least in its most simple characteristics, always has one type of image which is dominant […] a point of view on the whole of the film […] itself a 'reading' of the whole film". [54]
Film Examples (DD) Opsigns and sonsigns Five: Hyalosigns mirrors face-to-face Black Swan: limpid and opaque Self Made: seed and environment Synecdoche, New York: Chronosigns sheets of the past Russian Ark: peaks of the present Uncle Boonmee Who Can Recall His Past Lives: powers of the false 24 City: Noosigns body of attitude I'm Not There: body ...
Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular.