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The Blind Girl; Blind Man's Bluff (Fragonard, 1750) Blind Veit Stoss with his granddaughter; The Blue Boy; The Boating Party; A Boy and a Girl with a Cat and an Eel; Boy and Dog in a Johnnypump; Boy Blowing Bubbles; A Boy Bringing Bread; Boy Carrying a Sword; The Boy in the Red Vest; Boy Leading a Horse; Boy on the Rocks; Boy Peeling Fruit; Boy ...
The Ashcan school was a group of New York City artists who sought to capture the feel of early-20th-century New York City through realistic portraits of everyday life. These artists preferred to depict the richly and culturally textured lower class immigrants, rather than the rich and promising Fifth Avenue socialites.
Of a study that Van Gogh made for Girl in a Wood or Girl in White in the Woods, [10] he remarked at how much he enjoyed the work and explains how he wishes to trigger the audience's senses and how they may experience the painting: "The other study in the wood is of some large green beech trunks on a stretch of ground covered with dry sticks ...
These two works are the centerpieces of the institution's art collection, which has notable holdings of eighteenth-century British portraiture. The painting is an elegant depiction of Sarah Moulton (1783–1795), who was about eleven years old when painted. Her direct gaze and the loose, energetic brushwork give the portrait a lively immediacy.
The nurse, with her charge, is always a conspicuous figure on the streets of a Russian city. The fantastic garb of coronet and beads constitute one of the most picturesque costumes in Russia; and you can tell by its color whether her charge is a boy or a girl. If a boy, the prevailing color will be blue; if a girl, pink. [38] 1892: USA Philadelphia
This moralistic interpretation is supported, Cynthia Kortenhorst-Von Bogendorff Rupprath says, by the eye contact with the viewer made by the little girl in the painting as she wags her finger. [2] Other interpretations include allusions to other Dutch proverbs as well as the popular pastime in seventeenth-century Dutch festivals or kermis of ...
The Hands Resist Him is a painting that was created by artist Bill Stoneham in 1972. It depicts a young boy and a female doll standing in front of a glass paneled door, against which many hands are pressed. According to Stoneham, the boy is based on a photograph of himself at age five.
Photograph of Thomas Eakins c. 1882 This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins (1844–1916). As there is no catalogue raisonné of Eakins' works, this is an aggregation of existing published catalogs. Background During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan ...