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In the 18th and 19th centuries, the word history became more closely associated with factual accounts and evidence-based inquiry, coinciding with the professionalization of historical inquiry. [24] The dual meaning, referring to both mere stories and factual accounts of the past, is present in the terms for history in many other European languages.
Herstory is a term for history written from a feminist perspective and emphasizing the role of women, or told from a woman's point of view. It originated as an alteration of the word " history ", as part of a feminist critique of conventional historiography , which in their opinion is traditionally written as "his story", i.e., from the male ...
Zvi died later without telling the world about the real author of The History of Love. In a parallel story, a 15-year-old girl, Alma Singer, named after the Alma in The History of Love, her parents' favorite book, is struggling to cope with the loss of her father due to cancer. Her mother becomes distant and lonely, escaping into her work of ...
In his book The Idea of Historical Recurrence in Western Thought, G. W. Trompf traces historically recurring patterns of political thought and behavior in the west since antiquity. [4] If history has lessons to impart, they are to be found par excellence in such recurring patterns.
The theme of the story, though, is less obscure—that of the "rash promise", in which an oath is made that the person does not envisage having to fulfil. The earliest examples of the "rash promise" motif are found in the Sanskrit stories of the Vetala as well as Bojardo's Orlando Innamorto and Don Juan Manuel's Tales of Count Lucanor. [6]
This collection included a version in prose of the Romeo and Juliet story named "The goodly History of the true and constant love of Romeo and Juliett". Shakespeare took advantage of this popularity: The Merchant of Venice, Much Ado About Nothing, All's Well That Ends Well, Measure for Measure, and Romeo and Juliet are all from Italian novelle.
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A postmodern understanding of the term differs in that: . The idea of an "end of history" does not imply that nothing more will ever happen. Rather, what the postmodern sense of an end of history tends to signify is, in the words of contemporary historian Keith Jenkins, the idea that "the peculiar ways in which the past was historicized (was conceptualized in modernist, linear and essentially ...