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The áo dài Le Mur, or "trendy" ao dai, created a sensation when model Nguyễn Thị Hậu wore it for a feature published by the newspaper Today in January 1935. [20] The style was promoted by the artists of Tự Lực văn đoàn ("Self-Reliant Literary Group") as a national costume for the modern era. [ 21 ]
The origins of the Yao can be traced back two millennia to Hunan around the Dongting Lake region. According to a Yao tale, the Chinese Emperor Gao Xin was saved from an enemy chieftain by his faithful dog, Pan Hu. As a reward, Pan Hu was turned into a man and given the emperor's daughter in marriage.
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m]) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
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Water puppetry (Múa rối nước), is a distinct Vietnamese art form which had its origins in the 10th century and very popular in northern region. In Water puppetry a split-bamboo screen obscures puppets which stand in water, and are manipulated using long poles hidden beneath the water.
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Map of Cao Bang province in 1909. Cao Bằng's history can be traced to the Bronze Age when the Tày Tây Âu Kingdom flourished. The Tây Âu or Âu Việt were a conglomeration of upland Tai tribes living in what is today the mountainous region of northernmost Vietnam, western Guangdong, and southern Guangxi, China, since at least the 3rd century BC.
Zhongli's rulers traced their origin to a man named "Ao Jue Shi", grandfather of Lord Bai. [7] The state was probably founded in the 8th century BC during the early Spring and Autumn period, and quickly became a regional power. It regularly clashed with the states of Chu to the west, and Xu, Qi, and Lu to the north. [3]