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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
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A subsequent notice linked to an example of micropoetry by another user, which was clearly lyrical but didn't appear to fit any preexistent form such as haiku or tanka. While short poems are most associated with the haiku , the emergence of microblogging sites in the 21st century created a modern venue for epigrammatic verse.
Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision or syncope, these contractions are usually used to lower the number of syllables in a particular word in order to adhere to the meter of a composition. [1]
A golden shovel is a poetic form in which the last word of each line forms a second, pre-existing poem (or section thereof), to which the poet is paying homage.. It was created by Terrance Hayes, whose poem "Golden Shovel" (from his 2010 collection Lighthead) [1] is based on Gwendolyn Brooks' "We Real Cool" (which begins with an epigraph that includes the phrase "Golden Shovel").
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"Dover Beach" is a lyric poem by the English poet Matthew Arnold. [1] It was first published in 1867 in the collection New Poems; however, surviving notes indicate its composition may have begun as early as 1849.