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Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points .
Mahpach (Hebrew: מַהְפַּךְ, with variant English spellings) is a common cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. It is part of the Katan group, and it frequently begins the group. The symbol for the Mahpach is <. [1] Mahpach is always followed by a pashta.
Etnachta (Hebrew: Hebrew: אֶתְנַחְתָּא, with variant English spellings) is one of the most common cantillation marks in the Torah and Haftarah.It is the anchor for the Etnachta group, which in full consists of four different trope sounds, not all of which are always present.
The Shalshelet (Hebrew: שַלְשֶלֶת) is a cantillation mark found in the Torah. It is one of the rarest used, occurring just four times in the entire Torah, [1] in Genesis 19:16, 24:12, and 39:8, and in Leviticus 8:23. The four words accented with the shalshelet mark all occur at the beginning of the verse. [2]
Cantillation is the ritual chanting of prayers and responses. [1] [2] It often specifically refers to Jewish Hebrew cantillation.Cantillation sometimes refers to diacritics used in texts that are to be chanted in liturgy.
The Illuy or Iluy (Hebrew: עִלּוּי) is a Trope (from Yiddish טראָפּ "trop") in the Judaic Liturgy. It is one of the cantillation marks used in the three poetic books: Job, the Book of Proverbs, and the Psalms. Accordingly, it is a special mark belonging to the Ta'amei Sifrei Emet (meaning, the accent signs of the books of truth).
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Revia (Hebrew: רְבִיעַ, [r ə viaʕ]) is a cantillation mark commonly found in the Torah, Haftarah, and other biblical texts.. It is commonly explained as being the Aramaic equivalent of Hebrew רְבִיעִי Revi'i, meaning 'fourth' or 'quarter'., [1] and for that reason is sometimes called Revi'i.