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Shelley was introduced to Keats in Hampstead towards the end of 1816 by their mutual friend, Leigh Hunt, who was to transfer his enthusiasm from Keats to Shelley.Shelley's initial admiration of Keats was ambiguous: his reception to Keats' Endymion was largely unfavourable, while he found his later work, Hyperion, to be the highest example of contemporary poetry.
Ellen Johnston known as "The Factory Girl" (c.1835 – April 12, 1874) was a Scottish power-loom weaver and poet. She is known because of her autobiography and later reevaluations of her working class poetry.
The Keats–Shelley Memorial House is a writer's house museum in Rome, Italy, commemorating the Romantic poets John Keats and Percy Bysshe Shelley.The museum houses one of the world's most extensive collections of memorabilia, letters, manuscripts, and paintings relating to Keats and Shelley, as well as Byron, Wordsworth, Robert Browning, Elizabeth Barrett Browning, Oscar Wilde, and others.
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
The work was popular, brought new readers to both Keats and Shelley, and set a model for later collections of poetry popular during the Victorian period. [9] A review in the December 1819 Blackwood's Edinburgh Magazine claimed, "we propose now doing a truly wonderful thing-namely, in good earnest to laud a production of Mr Leigh Hunt's [...] is a very clever and cunning contrivance.
Contemporary critics of Keats enjoyed the poem, and it was heavily quoted in their reviews. [36] An anonymous review of Keats's poetry that ran in the August and October 1820 Scots Magazine stated: "Amongst the minor poems we prefer the 'Ode to the Nightingale'. Indeed, we are inclined to prefer it beyond every other poem in the book; but let ...
A descriptive catalogue of the first editions in book form of the writings of Percy Bysshe Shelley, based on a memorial exhibition held at The Grolier Club from April 20, to May 20, 1922. New York: The Grolier Club. pp. 78– 81. Shelley, Percy Bysshe (1824). Shelley, Mary (ed.). Posthumous Poems. London: C. H. Reynell for John and Henry L. Hunt.
The poem was included by Mary Shelley in the Poetical Works in 1839, both editions. The Bodleian Library has a first draft of Epipsychidion , "consisting of three versions, more or less complete, of the 'Preface [Advertisement]'; a version in ink and pencil, much cancelled, of the last eighty lines of the poem; and some additional lines which ...