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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
Gibson briefly re-issued the Maestro FZ-1A Fuzz-Tone in the 1990s, but later discontinued the model. [11] It has not been manufactured since. Other brands have offered models attempting to replicate the sound of the FZ-1 and FZ-1A. In 2022, Gibson announced a new lineup of Maestro-branded effects pedals, including the Fuzz-Tone FZ-M.
The pedals all share the same 'footprint', for compatibility with pedal boards. Boss introduced COSM (Composite Object Sound Modeling), Roland's proprietary version of digital modeling technology, into their AC-3 Acoustic Simulator pedal in 2006. Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and ...
This pedal was introduced as a compact rendition of the Big Muff, with its controls similar to the 1969 Muff Fuzz containing only a tone switch and a level knob. Muff Fuzz (Op-Amp) 1979 - 1982 Discontinued Based on the 1969 Muff Fuzz, this is an Op-Amp version, and was powered by a 1458N IC chip. Red Army Overdrive 1990 - 1992 Discontinued
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.