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English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Most commonly, power chords (e.g., C–G–C) are expressed using a "5" (e.g., C 5). Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor ...
Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the tonic's scale (as opposed to, for example, that of its position in the scale of the chord being played). In the key of B ♭, 1/3 stands for B ♭ /D, 5/7 stands for F/A, 6m/5 stands ...
When used with chord symbols, the Roman numerals represent the root of a triad built on the associated scale step. In music theory based on the practices of the common practice period and its derivations the chord numerals are often written in upper case for chords in the major family, and in lower case for chords in the minor family, with the usual "m" or "—" minor chord quality suffix ...
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.