Search results
Results From The WOW.Com Content Network
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
Just 6.5 (Persian: متری شیش و نیم, romanized: Metri Shesh-o Nim, means: Six and a Half per Meters, also titled Law of Tehran) is a 2019 Iranian thriller drama film written and directed by Saeed Roustaee.
Laws of Attraction received generally negative reviews from critics, as it holds an 18% rating on Rotten Tomatoes where the site calls the film "a bland and forgettable copy of Adam's Rib." [ 4 ] On Metacritic , the film holds a 38/100 rating, indicating "generally unfavorable" reviews.
She concluded: "Criminal Law, if not taken very seriously and with more than a grain of salt, can be entertaining, but it fails miserably when compared to accurate, exciting legal thrillers such as Primal Fear. [6] On Rotten Tomatoes the film has an approval rating of 33% based on reviews from 9 critics, with an average score of 4.6/10. [7]
This is an accepted version of this page This is the latest accepted revision, reviewed on 25 February 2025. American review aggregator for film and television Rotten Tomatoes Screenshot Rotten Tomatoes's homepage as of April 1, 2021 Type of site Film and television review aggregator and user community Country of origin United States Owner Warner Bros. Discovery (25%) Comcast (75%) Founder(s ...
On the review aggregator website Rotten Tomatoes, 92% of 155 critics' reviews are positive, with an average rating of 7.6/10. The website's consensus reads: "A stoic Jude Law and diabolically good Nicholas Hoult turn the tides of history in this grippingly intense thrill ride."
The film is a fitting conclusion to the summer of Barbenheimer
The film has received mixed reviews, and holds a 46% approval rating on Rotten Tomatoes, and a score of 45 on Metacritic. [6] [7] Critics tended to praise its original concept, but criticized the characterization and romantic plotting as shallow, with the LA Times complaining that "Gil’s overly clever notion wears out its welcome" and "Manel and Elena are wispily drawn characters with ...