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A film splicer (also called a film joiner, usually in Europe) is a device which can be used to physically join lengths of photographic film. It is mostly used in film motion pictures. The units are made in various types depending on the usage: Single-8, Super 8 film, 16mm, 9,5 mm, 35mm and 70mm. Used in film editing to make a cut (transition ...
Kodascope is a name created by Eastman Kodak Company for the projector it placed on the market in 1923 as part of the first 16mm motion picture equipment. The original Kodascope was part of an outfit that included the Cine-Kodak camera, tripod, Kodascope projector, projection screen, and film splicer, all of which sold together for $335. [1]
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Kodak introduced 16 mm film in June 1923 alongside the first Ciné-Kodak, a movie camera that was both more portable and affordable than those using 35 mm film; the new camera and film type were more suited for amateur use and generally are credited as the enabling technology for the creation of the first home movies.
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
When invited (along with Victor) into Kodak's 16 mm plans in 1920, the company was quick to see the advantages and immediately set about redesigning the 17.5 mm camera for 16mm film. The Filmo 70 was the first spring motor-driven 16 mm camera. In 1925 the Eyemo, a hand-held 35 mm camera based on the design of the Filmo 70 was offered. It was ...