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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Gravity" is an alternative rock song written by Tim Henwood and performed by Australian band The Superjesus. The song was released in September 2000 as the lead single from the band's second studio album, Jet Age (2000).
"Easy on Me" received several awards and nominations. It won the Brit Award for Song of the Year at the 2022 ceremony. [65] That year, "Easy on Me" also received the Gaffa Award for Foreign Song of the Year, [66] the Juno Award for Video of the Year, [67] and the New Music Award for Top 40/CHR Song of the Year. [68]
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
"In My Time of Dying" (also called "Jesus Make Up My Dying Bed" or a variation thereof) is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all ...
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Perverse is the third studio album by British rock band Jesus Jones, released in 1993 on Food Records.After their international success following the release of Doubt (1991), Jesus Jones, especially band leader Mike Edwards, conceived Perverse as a darker, more contemporary album.
In a review for AllMusic, Dave Lynch wrote: "Some great music from Sea Level was still to come, but the best moments of Cats on the Coast wouldn't be topped." [2]Exposé's Peter Thelen stated that, with the album, "there... seemed to be a new emphasis on the vocal material, which seemed to be changing from a country funk sound into more of a funky white soul a la Boz Scaggs.