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"La Gozadera" (Spanish term meaning a "good time" or "party") is a song by Cuban duo Gente de Zona as the lead single for their third studio album Visualízate. Featuring American singer Marc Anthony , it was released on April 30, 2015, by Sony Music Latin .
Gente de Zona (Spanish pronunciation: [ˈxente ðe ˈsona]; lit. ' Locals ' ) is a Cuban reggaeton duo made up of musicians Alexander Delgado and Randy Malcom Martínez . In 2016, the duo gained success with the song " Bailando " with Enrique Iglesias .
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
"Zona del Perreo" is a song by Puerto Rican singer-rapper Daddy Yankee, Dominican singer Natti Natasha and American singer Becky G, from Yankee's seventh and final studio album, Legendaddy. [ 1 ] Background
"La Negra Tiene Tumbao" (English: "The Black Woman's Got Rhythm") is a song performed by Cuban recording artist Celia Cruz. It features rap vocals performed by Mikey Perfecto. The song was written by Sergio George and Fernando Osorio, produced by George and released as the lead single from Cruz's fifty-ninth studio album La Negra Tiene Tumbao ...
"La Andonda". Very little is known of this Gypsy singer. Very little is known of this Gypsy singer. Some styles of soleá have been attributed to her, but there is no proof that they actually have anything to do with her.
"Traidora" (feminine of Traidor transl. "Traitor") is a song by Cuban duo Gente de Zona featuring American singer Marc Anthony. The music video of the song was directed by Alejandro Pérez and was filmed in Miami, Florida. [1] As of January 2018, the video has received over 320 million views on YouTube. [2]
In the postwar era, pop music in Argentina was significantly influenced by American and English musicians. During the 1950s and 1960s, the "la nueva ola" movement emerged, marking the rise of youth-oriented pop music in South America. Musicians often adapted popular English-language songs into Spanish, appealing to audiences across the country ...