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After seeing a samurai movie featuring a dual-wielding fighter as a child, she has always wanted to fight with two swords, and planned to compete in two-sword style as adult. As such, she is a strong opponent capable of using the two-sword style of kendo, despite high school competitions prohibiting the use of the two sword technique.
A distinguishing feature of many kenjutsu syllabi is the use of a paired katana or daitō and wakizashi or shōtō, commonly referred to as nitōjutsu (二刀術, two sword methods). Styles that teach it are called nitōryū (二刀流, two sword school); contrast ittō-ryū (一刀流, one sword school).
Title Director Cast Genre Notes 1950: Darah dan Doa: Usmar Ismail: 1951: Akibat: Awaludin: Enam Djam Di Djogdja: Usmar Ismail: Selamat Berdjuang, Masku! H Asby
Kendo (Japanese: 剣道, Hepburn: Kendō, lit. ' sword way ' or ' sword path ' or ' way of the sword ') [1] is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords as well as protective armor (). [2]
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
His rival, Heiji Hattori, plays an active role from the main character, Conan Edogawa, and his special skill is a fierce sword action centered on kendo, and a bike action that uses both hand-painting by an animator and 3DCG. In addition, Heiji is in charge of a part of the work commentary, and his childhood friend Kazuha Toyama also appears.
Hyohō Niten Ichi-ryū (兵法 二天 一流), which can be loosely translated as "the school of the strategy of two heavens as one", is a koryū (ancient school), transmitting a style of classical Japanese swordsmanship conceived by Miyamoto Musashi.
Kendo Wijaya is a moody, reckless, and short-tempered guy who walks through life rebelliously and alone. Like a typical offspring of a wealthy family, Kendo is emotionally abandoned by his busy father, who sees money as an end to solve problems and provide happiness for his son.