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semirhyme: a rhyme with an extra syllable on one word. (bend, ending) forced (or oblique): a rhyme with an imperfect match in sound. (green, fiend; one, thumb) assonance: matching vowels. (shake, hate) Assonance is sometimes referred to as slant rhymes, along with consonance.
Perfect and imperfect rhymes. Perfect rhyme — also called full rhyme, exact rhyme, [1] or true rhyme — is a form of rhyme between two words or phrases, satisfying the following conditions: [2][3] The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words "kit" and "bit" form a perfect ...
Rhyme scheme. A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1][2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem with ...
Eliot's use of lamentation, desolation and consolation—a repetition of the two-syllable -ation ending—is an example of syllable rhyme. Eliot employs forced rhyme (also called "oblique rhyme") on peace and ease (lines 8 and 11), and eye rhyme on home and come (lines 14 and 15). [1] [2]
Light rhyme designates a weakened, or unaccented, rhyme that pairs a stressed final syllable with an unstressed one. [1] [2] A rhyme of this kind is also referred to as a wrenched rhyme since the pronunciation of the unstressed syllable is forced into conformity with the stressed syllable of its rhyme mate (eternity/free). [3]
Literary consonance. For musical consonance, see Consonance and dissonance. Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., co m ing ho m e, ho t foo t). [ 1 ] Consonance may be regarded as the counterpart to the vowel-sound repetition known ...
He is referring to the name of the bride's dead lover, "D'Elormie", which he calls "patently a forced rhyme" for "o'er me" and "before me" in the previous lines. [6] Aldous Huxley made the same observation, calling the rhyme "ludicrous" and "horribly vulgar". [7] The poem is one of the few works by Poe to be written in the voice of a woman.