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Stile Antico: early music vocal ensemble. Tallis Scholars (Peter Phillips): a cappella Renaissance music. Taverner Consort and Players (Andrew Parrott): Renaissance choir and baroque orchestra. Theatre of Voices: vocal consort. Tonus Peregrinus (Antony Pitts): Renaissance and contemporary choir.
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Latin music includes antiphons, Credo quod redemptor, Domine quis habitabit, Magnificat and Jam Christus astra; also three responds from the Office of the Dead, songs (including Pandolpho), In nomine settings for ensemble, and a galliard. Ippolito Chamaterò. 1535/1540 – after 1592. Italian.
A cappella. Music performed a cappella (/ ˌɑː kəˈpɛlə / AH kə-PEL-ə, UK also / ˌæ kəˈpɛlə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. 'in the style of the chapel'), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
Andrea Gabrieli (1532/1533 [1] – August 30, 1585) was an Italian [1] composer and organist of the late Renaissance.The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
Giovanni Gabrieli (c. 1554 /1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
Composed by Orlando di Lasso, conducted by Grant Gershon, and directed by Peter Sellars, Lagrime di San Pietro (The Tears of St. Peter) is an a cappella Renaissance masterpiece set to the poetry of Luigi Tansillo (1510–1568). Debuting in 2016, singers from the Los Angeles Master Chorale transform this 75-minute work into an emotional ...