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The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
Six Sonatas for Violin and Harpsichord, BWV 1014–1019. Sonatas for violin and continuo BWV 1021, 1023, and the doubtful 1024. Béla Bartók. Early sonata for violin and piano. Sonata No. 1 for violin and piano, 1921. Sonata No. 2 for violin and piano, 1922. Sonata for solo violin, 1944.
Four Caprices for Violin Solo. Polish Caprice (1949) Johann Sebastian Bach. 3 Sonatas and 3 Partitas, for solo violin: Sonata No. 1 in G minor, BWV 1001. Partita No. 1 in B minor, BWV 1002. Sonata No. 2 in A minor, BWV 1003. Partita No. 2 in D minor, BWV 1004. Sonata No. 3 in C major, BWV 1005.
The Partita No. 3 in E major for solo violin, BWV 1006.1 (formerly 1006), [1] is the last work in Johann Sebastian Bach 's set of Sonatas and Partitas. It consists of the following movements: Preludio. Loure.
Paganini intended the Concerto to be heard in E-flat major: the orchestral parts were written in E-flat, and the solo was written in D major with instructions for the violin to be tuned a semitone high, (a technique known as scordatura) enabling the soloist to achieve effects sounding in E-flat which would not be possible with normal tuning.
Schubert was an accomplished violinist and had already extensively composed for violin, including over a dozen string quartets, by the time he started to write violin sonatas at age 19. [2][3][4] The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [5][6] They were named Sonatina when published ...
The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982. The Caprices are in the form of études, with each number ...
It then transitions back to the main theme with the solo violin playing a different melody on top of the orchestra. The first movement is 10–11 minutes long. The rondo finale is based on a minuet theme which recurs several times. In the middle of the movement the meter changes from 3 4 to 2 4 and a section of "Turkish music" is played.