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Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
Jazz is a music genre that originated in the Black-American communities of New Orleans, Louisiana, [5] [6] in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. [ 7 ] [ 8 ] New Orleans provided a cultural humus in which jazz could germinate because it was a port city with many cultures and beliefs intertwined ...
Originally simply called "jazz", the music of early jazz bands is today often referred to as "Dixieland" or "New Orleans jazz", to distinguish it from more recent subgenres. [ 2 ] The origins of jazz are in the musical traditions of early twentieth-century New Orleans , including brass band music, the blues , ragtime and spirituals , [ 3 ] and ...
The Great Depression had started. Unemployment rates had risen to 25% of the workforce, and up to 60% of African American men were out of work. Cities were crowded with workseekers. Black musicians were not allowed to play in studios or on radio. However, jazz music was resilient.
In the Music Library Association publication, Notes, Frank Tirro wrote: "Gunther Schuller's work is the best musical account of jazz through the early 1930s yet published." [ 5 ] In a review in Journal of the American Musicological Society , William W. Austin wrote: "Schuller knows his subject as probably no one else does."
The music of New Orleans, Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. [93] Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville. [94]
During this period, ensembles were standard, in contrast to many of the later developments in jazz. By the 1930s, however, newer forms of pop-jazz like swing music and Dixieland had overtaken authentic New Orleans-style jazz among mainstream audiences. Dixieland jazz is a form of jazz which arose in the 1920s in Chicago.