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The case In re Apple iPod iTunes Antitrust Litigation was filed as a class action in 2005 [9] claiming Apple violated the U.S. antitrust statutes in operating a music-downloading monopoly that it created by changing its software design to the proprietary FairPlay encoding in 2004, resulting in other vendors' music files being incompatible with and thus inoperable on the iPod. [10]
In such case, even though Apple Corps shall have the exclusive right to use or authorize others to use the Apple Corps Marks on or in connection with content within subsection 1.3(i) or (ii) [the Apple Corps catalogue and any future music], Apple Computers shall have the exclusive right to use or authorize others to use the Apple Computer Marks ...
The singer Eddy Grant sued Trump, claiming copyright infringement, in 2020 after his 1982 hit "Electric Avenue" was used in a Trump-campaign tweet without the reggae-disco star's permission.
Because "inducement" is defined so broadly, say critics, it seems plausible that many current products could violate the same three principles as Grokster - one could argue that the marketing of the popular mp3 player known as the iPod meets all three criteria that the court proposed: 1) Apple's advertising campaign "Rip, Mix and Burn" can be ...
A federal judge in Florida on Tuesday dismissed Apple Inc's copyright infringement claims against a Florida startup whose software helps security researchers find vulnerabilities in Apple products ...
Following the Napster case, Goldman represented Apple Inc. and iTunes in copyright infringement claims resulting from the company's use of U2's Vertigo in commercials for the iPod. [10] [11] [12] Goldman also represented Universal Music Group in a putative class action brought by The Chambers Brothers, The Coasters, The Drifters, and The Main ...
UPDATED: Twitter is in the crosshairs of the music industry and nearly two dozen U.S. lawmakers over the issue of music copyright infringement. A bipartisan group of 22 members of the House of ...
First, consumer electronics manufacturers felt they needed the recording industry's cooperation to induce consumers – many of whom were in the process of replacing their cassettes and records with compact discs – to embrace a new music format. Second, device makers feared a lawsuit for contributory copyright infringement. [1]