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Harman and Mellers argue that, with the music Bizet wrote for the stage production of L'Arlésienne, the Jeux d'Enfants represents the rediscovery of his true musical nature, exploring his melodic gifts, while the concentrated form of short pieces allowed him to discover chromatic and enharmonic subtleties both "simple and single-minded", in ...
Christian Wolff, Boras Song for horn, trumpet, violin and piano; Duo 6 for trumpet and violin For six or seven players (= Music for Merce Cunningham) for violin, viola, trumpet, trombone, piano and bass Mosaic Trio for trumpet, violin and piano Nine for flute, clarinet, horn, trumpet, trombone, celeste, piano and two cellos Pulse for trumpet ...
A trumpet voluntary is a voluntary – a musical composition for the organ – played using the trumpet stop.Trumpet voluntaries are associated with the English Baroque era and usually consist of a slow introduction followed by a faster section with the right hand playing fanfare-like figures over a simple accompaniment in the left hand.
A brief portion of the tune can be heard at the end of the 1997 song "Tubthumping" by British anarcho-punk band Chumbawamba and in the coda of The Beatles' 1969 song "It's All Too Much". It was one of the seventeen classical pieces used in creating the lead track of the 1981 Hooked on Classics project.
A trumpet concerto is a concerto for solo trumpet and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
VIIe/1) (Trumpet Concerto in E-flat major) in 1796 for the trumpet virtuoso Anton Weidinger. Joseph Haydn was 64 years of age. A favourite of the trumpet repertoire, it has been cited as "possibly Haydn's most popular concerto". [1] Although written in 1796, Weidinger first performed the concerto four years later on March 28, 1800. [2]
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) [1] was an American jazz trumpeter, bandleader, and multi-instrumentalist. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1961).
The piccolo trumpet solo in the Beatles' "Penny Lane", which introduced the instrument to pop music, was played by David Mason. Paul McCartney was dissatisfied with the initial attempts at the song's instrumental fill (one of which is released on Anthology 2), and was inspired to use the instrument after seeing Mason's performance in a BBC television broadcast of the second Brandenburg ...