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In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, and for applying incised decoration or rings of colour.
The clay tends to have a high level of hardness and is created on a pottery wheel. The potter delicately uses a spatula to give curvature. This distinctive curve lets the flames lick over the round edge. Furthermore, tiny pebbles in the clay give it additional surface texture. The lugs on an Iga ware vase are called "ears" (耳付, mimitsuki ...
Hand turned wheels are also used. In Oaxaca, a type of proto-wheel has been used by the Zapotecs since pre-Hispanic times. This is a saucer balanced over an inverted saucer that is turned to help shape the piece. It is most often used for the barro negro pottery made in San Bartolo Coyotepec. [25]
Nampeyo was particularly skilled. Her pottery became a success and was collected throughout the United States and in Europe. [14] Sikyatki moth-pattern jar, excavated circa 1895. This became one of her favorite patterns. When I first began to paint, I used to go to the ancient village and pick up pieces of pottery and copy the designs.
NIDEC-SHIMPO opens office in São Paulo, Brazil [17] NIDEC-SHIMPO acquires Nidec Kyori Corporation through an absorption-type corporate split transaction from Nidec Corporation [18] 2004: New factory NIDEC-SHIMPO (ZHEJIANG) Corporation was established Wholly owned by NIDEC CORPORATION 1998: NIDEC-SHIMPO achieved ISO9001(JQA-1739) 1997
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.