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5 Mrigashira - मृगशिर "the deer's head". Also known as āgrahāyaṇī: λ "Meissa", φ Orionis Lord: Mangala (Mars) Symbol: Deer's head; Deity: Soma, Chandra, the Moon god; Indian zodiac: 23° 20' Vrishabha - 6° 40' Mithuna; Western zodiac: 17°06' Gemini - 0°26' Cancer; 6 Ardra - आर्द्रा "the storm god" Betelgeuse
A takht, or taḵẖat (Punjabi: ਤਖ਼ਤ), literally means a throne or seat of authority [1] and is a spiritual and temporal centre of Sikhism. [2] There are five takhts (Punjabi: ਪੰਜ ਤਖਤ, romanized: Pañj takhat, lit.
Panj Pyare leading a procession in Wolverhampton, U.K.. They are responsible for leading a Nagar Kirtan procession. [4] The Panj Pyare are also responsible for carrying out the Amrit Sanchar ceremony of baptizing new members into the Khalsa order of Sikhism. [1]
Recently in 2012 she appeared in the Marathi play Mahasagar along with a star cast of Subodh Bhave, Ashalata Wabgaonkar, Shailesh Datar and others. Originally written by Jaywant Dalvi , the play was remade after 20 years by the actress Neelam Shirke under her banner Asmi Productions and directed by Neena Kulkarni .
Generally numbering eight and classified as the Ashtavasu, [4] they are described in the Ramayana as the children of Kashyapa and Aditi, and in the Mahabharata as the sons of Manu or Dharma and a daughter of Daksha named Vasu. [5] They are eight among the thirty-three gods featured in the Vedas.
[3] [13] [5] [6] Lal Das was also a fervent adversary of the L. K. Advani -led Rath Yatra ; this was published as 'Priest asks Advani to halt yatra’ in Times of India in October 30, 1990. [ 14 ] [ 9 ] [ 13 ] [ 15 ] [ 5 ] He branded the entire Ram Mandir movement as a gimmick to gain Hindu votes in Indian elections.
Harikambhoji scale with Shadjam at C. It is the 4th rāgam in the 5th chakra Bana.The mnemonic name is Bana-Bhu.The mnemonic phrase is sa ri ga ma pa dha ni sa. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
Khamaj (IAST: Khamāj) is a Hindustani classical Music raga within the Khamaj thaat which is named after it.. Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance.