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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
Music is often played at wedding celebrations, including during the ceremony and at festivities before or after the event. The music can be performed live by instrumentalists or vocalists or may use pre-recorded songs, depending on the format of the event, traditions associated with the prevailing culture and the wishes of the couple being married.
The "Wedding March", from Felix Mendelssohn's incidental works (Op. 61), used as wedding recessional music Wedding Song, orchestral work by Elisabetta Brusa Hochzeits-Lied (Wedding Song), by Kurt Weil from The Threepenny Opera
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. [1] The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar.
A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church ,the Seventh-day Adventist Church , and Anglican Church , an equivalent to the concluding voluntary , which is called a Recessional Voluntary, for example a Wedding Recessional.
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the late Romantic era. [1] As a composer he is known for his ten organ symphonies, [2] [3] especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.
The words were further modified to fit the original tune. The result has since become a fixture at the Last Night of the Proms, and an English sporting anthem and general patriotic song. March No. 1 was the first piece in the recessional music for the coronations of George VI [10] and Elizabeth II, followed in both cases by March No. 4. [11] [12]