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Puerto Rican music promoter Izzy Sanabria claims he was the first to use the word salsa to denote a music genre: In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. I was using [the term] salsa, but the music wasn't defined by that. The music was still defined as Latin music.
Since the 1990s, the music most commonly used for Rueda de Casino is either Salsa music or a unique variation of Salsa known as "Timba." After the initial couples (pairs of dancers) form a circle, dance moves are then called out by one person, a caller (or "líder" or "cantante" in Spanish). Although there are some similarities to square ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
It is a form of urban contemporary music, often combining other Latin musical styles, Caribbean and West Indies music, (such as reggae, soca, Spanish reggae, salsa, merengue and bachata. [9] It originates from Panamanian Reggae en Español and Jamaican dancehall, however received its rise to popularity through Puerto Rico.
Juan Valdez is a composer and orchestral director of salsa music in the Dominican Republic. Valdez has composed music for Asdrubar and helped jumpstart Michel "El Buenón"'s career, and has prepared arrangements of songs for numerous other vocalists. Valdez, born in 1962, played with merengue bands in his early years, including Sergio Vargas ...
Salsa dancers in Havana, Cuba. In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and ...
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Salsa romántica (Spanish of 'romantic salsa') is a soft form of salsa music that emerged between the mid-1980s and early 1990s in New York City, Puerto Rico, and the Dominican Republic. It has been criticised for it being supposedly a pale imitation of "real" salsa, often called " salsa dura ".