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The coquette aesthetic is taking over TikTok. Here, we break down where the name came from, how to dress in the flirtatious style, and where to shop it.
Queen Marie Antoinette, an inspiration of this aesthetic. Coquette aesthetic is a 2020s fashion trend that is characterized by a mix of sweet, romantic, and sometimes playful elements and focuses on femininity through the use of clothes with lace, flounces, pastel colors, and bows, often draws inspiration from historical periods like the Victorian era and the 1950s, with a modern twist.
When it comes to coquette outfits, there’s no such thing as too many bows, ruffles, and ribbons, a point proven by notoriously coquettish fashion designers like Simone Rocha, Sandy Liang, and ...
Aegyo literally means behaving in a flirtatious, coquettish manner and it is commonly expected for both male and female K-pop idols and is also expected or demanded from exclusively younger females in Korean society in a way which reinforces or reflects Korea's traditional gender roles.
In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingénue. She often displays a flirtatious or even sexually aggressive nature.
Fleurette, meaning small flower, was used in the 16th century in some sonnets [3] and texts, and has since fallen out of use. [4] [5] [6] This expression is still used in French, often mockingly, although the English loanword, "to flirt", is in the common vernacular. Flirting in the English language has the same meaning as to "conter fleurette ...
The sexual connotations which had long accompanied the word are made explicit in Webster's Third New International Dictionary (1976) which lists one of its meanings as a young woman who combines part-time prostitution with another occupation. Webster's quotes an example from Henry Seidel Canby's 1943 biography of Walt Whitman:
They are typically depicted as enchantingly beautiful young women, coquettish and seductive in manner, often appearing like succubi in the night, dressed in flowing silk nightgowns, and behaving in a wild and sexually aggressive manner. The three brides made silent appearances in the 1931 film Dracula and the Spanish language version of Drácula.