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Wilhelm Meister's Journeyman Years, or the Renunciants, [a] is the fourth novel by German writer Johann Wolfgang von Goethe, and the sequel to Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre) (1795–96). Though initially conceived during the 1790s, the first edition did not appear until 1821, and the second edition—differing ...
Goethe's novel Wilhelm Meisters Wanderjahre (Wilhelm Meister's Journeyman Years) Schubert's song cycle Die Schöne Müllerin is about an apprentice miller and how he fared at a mill where he stays to work and falls in love with the miller's daughter. Reinhard Mey's song "Drei Jahre und ein Tag" is about the wandering of the Journeyman years.
Wilhelm Meister's Journeyman Years (Wilhelm Meisters Wanderjahre) (1821–1829) Wilhelm Meister's Apprenticeship ( German : Wilhelm Meisters Lehrjahre ) is the second novel by Johann Wolfgang von Goethe , published in 1795–96.
1776: Wilhelm Meisters theatralische Sendung (Ur-Meister) (Wilhelm Meister's Theatrical Program) - published in 1911 1796: Wilhelm Meisters Lehrjahre ( Wilhelm Meister's Apprenticeship ) 1821, expanded in 1829: Wilhelm Meisters Wanderjahre, oder Die Entsagenden ( Wilhelm Meister's Journeyman Years, or the Renunciants / Wilhelm Meister's Travels )
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Mignon falls in love with Wilhelm, but she believes that he loves the actress Filina. At a fete, Filina locks Mignon, whom Lothario has befriended, into her room. Filina traps Wilhelm into proposing, but as he announces their engagement, Lothario, acting on Mignon's earlier suggestions, sets the castle on fire.
The following image is a family tree of every prince, king, queen, monarch, confederation president and emperor of Germany, from Charlemagne in 800 over Louis the German in 843 through to Wilhelm II in 1918. It shows how almost every single ruler of Germany was related to every other by marriages, and hence they can all be put into a single tree.
The beautification work now extends to the village cemetery and the associated church. Ottilie helps the architect with the painting of a side chapel, and Charlotte gives birth to a son, who strongly resembles Otto and, of course, her niece Ottilie — the result, we are told, of the double “spiritual adultery” from which the child arose.