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The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.
Later, Microsoft required all Xbox Live console game developers to integrate voice chat capability into their games and bundled a microphone and headset with the Xbox Live retail unit. [3] In 2005, Nintendo launched the Nintendo Wi-Fi Connection , an online multiplayer service for both the Nintendo DS and for the Wii .
Two bi-directional AKG C414 microphones set up in a Blumlein pair. Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
Situational circumstances: Sometimes a microphone should not be visible, or having a microphone nearby is not appropriate. In scenes for a movie the microphone may be held above, out of the picture frame. Processing: If the signal is destined to be heavily processed, or mixed down, a different type of input may be required.
The boundary microphone can be used as a piano mic by placing it inside the piano lid, an approach which can obtain better pickup of the piano's mix of sharp percussive transients and gentle undertones than other microphone options. Boundary mics are used on hockey boards for body check sound effects. They are also commonly used to record full ...
Courteney Cox is celebrating her decades-long friendship with Jennifer Aniston!. On Tuesday, Feb. 11, Cox marked her fellow Friends alum's 56th birthday with a sweet Instagram post. "Happy ...
The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.