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This release stood out as the first transitional record for Clarke and his production blending old-school roots reggae with digital riddims. In 1988 he launched his Music Works studio, equipped and ready to fully adopt the digital reggae era, successfully as a producer returned with hit records and singles for many Jamaican and UK artists.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
Riddim Guide Reggae and dancehall database; catalogues riddims: 57,875 [33] 4878 (riddims) [33] 5937 [33] 2570 record labels [33] Yes VGMdb: Database for soundtracks and related music, with a primary focus on video games. 2,576,985 [34] 130,726 [34] 58,598 [34] vkgy (ブイケージ) Visual kei database. 14,578 [35] VocaDB
Often a melody is associated with the riddim, and occasionally an artist will produce two different songs with the same riddim (e.g. Elephant Man's "Ele Melody" and "Father Elephant" were both produced using the Kopa riddim, produced by Supa Dups). [citation needed] Riddims began forming popular in the early 1960s with the evolving role of the ...
The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1] The riddim has been used on hundreds of derivative records.
This is a list of notable roots reggae musicians, singers and producers. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The slogan of the Roots Reggae Library is "read, listen, collect". The website provides descriptions and reviews of albums, as well as individual songs. The library is a growing collection of reggae music, including descriptions of rare albums and artists. In recent times it has aimed to add hard to find African reggae records. [2]
The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973. The melody and cadence of the "Bam Bam" refrain in the chorus of Sister Nancy's version closely follows the original background melody of Toots and The Maytals ...