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Nucleus was a British jazz-fusion band, which continued in different forms from 1969 to 1989. [1] In 1970, the band won first prize at the Montreux Jazz Festival , released the album Elastic Rock , and performed both at the Newport Jazz Festival and the Village Gate jazz club.
Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984).
Elastic Rock is Nucleus' first album. Recorded in January 1970, it was a pioneering work in the emerging genre of jazz-fusion.Bandleader Ian Carr (later a jazz journalist and published expert on Miles Davis) was probably inspired by Davis' "going electric" in 1969, but the seminal Bitches Brew had not yet been released at the time Elastic Rock was recorded, and according to Carr, they hadn't ...
Rock music portal This is a set category . It should only contain pages that are Nucleus (band) albums or lists of Nucleus (band) albums , as well as subcategories containing those things (themselves set categories).
Cenac recalled that Webb enjoyed both songs, but particularly "Jam-On's Revenge" [3] As "Jam-On's Revenge" did not reflect Positive Messenger's themes, the group decided to re-name itself Nucleus as the members of the group all lived in the same house. [3] Webb changed the spelling to Newcleus. [3]
Ian Carr (21 April 1933 [1] – 25 February 2009) [2] was a Scottish jazz musician, composer, writer, and educator. Carr performed and recorded with the Rendell-Carr quintet and jazz-fusion band Nucleus, and was an associate professor at the Guildhall School of Music and Drama in London.
Production was handled by Rob the Viking, Nucleus, Evidence, Moka Only and The Edgecrusher. It features guest appearances from Abstract Rude and Son Doobie. An accompanying music video was directed for the single "Watch This". [3] The album debuted at number 14 on the Canadian Albums Chart for the week ending on October 26, 2003.
Holdsworth was known for his esoteric and idiosyncratic usage of advanced music theory concepts, especially with respect to melody and harmony. His music incorporates a vast array of complex chord progressions , often using unusual chord shapes in an abstract way based on his understanding of "chord scales", and intricate improvised solos ...