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I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And ‘Thou shall not’ written over the door; So I turned to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves,
The Gulshan-i 'Ishq ("The Rose Garden of Love") is a romantic poem written in 1657 by the Indian Sufi poet Nusrati. [1] Written in the Deccani language, it combines literary and cultural traditions from India and Iran. It describes the journey of a prince through a series of fantastical scenes in search of a woman he saw in a dream, leading to ...
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
Hierochloe odorata or Anthoxanthum nitens [1] (commonly known as sweet grass, manna grass, Mary's grass or vanilla grass, and as holy grass in the UK, [3] bison grass e.g. by Polish vodka producers [4]) is an aromatic herb native to northern Eurasia and North America. It is considered sacred by many Indigenous peoples in Canada and the United ...
The first two stanzas of “The Garden” introduce the theme of pastoral otium (retirement, contemplation, and ease) associated with Horace. [4] The poem's speaker rejects worldly ambitions and society in favor of the quiet, innocence, and solitude of the garden. But in the 3rd stanza, the poem’s pastoralism begins to work against convention.
The Garden of Love, Peter Paul Rubens, 1630-1631. The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. [1] In early inventories, the painting was called The Garden Party. [2]
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Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants is a 2013 nonfiction book by Potawatomi professor Robin Wall Kimmerer, about the role of Indigenous knowledge as an alternative or complementary approach to Western mainstream scientific methodologies.