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Both exhibition and publication aimed to establish grounds for recognizing a new form of artistic practice emerging in the early 1990s. The presentation displayed different approaches though all shared an interest in the use of methods of contextualization to reveal connections between the art works and their conditions of production, whether these were formal, social, or ideologically defined.
Contextualism, also known as epistemic contextualism, is a family of views in philosophy which emphasize the context in which an action, utterance, or expression occurs. Proponents of contextualism argue that, in some important respect, the action, utterance, or expression can only be understood relative to that context. [ 1 ]
Frank Lloyd Wright's Fallingwater was designed to emulate the site's existing natural features. Contextual architecture, also known as Contextualism is a philosophical approach in architectural theory that refers to the designing of a structure in response to the literal and abstract characteristics of the environment in which it is built.
Contextualism, a trend in thinking in the later parts of 20th century, influences the ideologies of the postmodern movement in general. Contextualism is centered on the belief that all knowledge is "context-sensitive". This idea was even taken further to say that knowledge cannot be understood without considering its context.
On the other hand, the art historian Kumar’s exhibition and related publication, A Contextual Modernism, focused on the Santiniketan artists Rabindranath Tagore, Nandalal Bose, Benode Behari Mukherjee, and Ramkinkar Baij. Of the Santiniketan artists, Kumar observed that they "reviewed traditional antecedents in relation to the new avenues ...
Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz Robert Rauschenberg, Portrait of Iris Clert 1961 Art & Language, Art-Language Vol. 3 Nr. 1, 1974. Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns.
Relation to contextualism [ edit ] Jason Stanley has argued that Dretske's relevant alternative theory was the starting point for the development of contextualism in epistemology, specifically with the subsequent work done by Alvin Goldman and Gail Stine .
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.