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Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
For Colored Girls has received accolades primarily from African American film and critic associations, in multiple categories including acting, writing, directing and overall production. Kimberly Elise has received the most acting nomination among the cast, followed by Anika Noni Rose and Phylicia Rashad.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
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The Garden of Allah (1936 film) The Girl from Calgary; God's Country and the Woman; The Goddess of Spring; Gold Is Where You Find It; Gold Rush Daze; Golden Dawn (film) The Goldwyn Follies; Gone with the Wind (film) Good Morning, Eve! Good News (1930 film) Good Scouts; Goofy Goat; The Grasshopper and the Ants (film) Gulliver's Travels (1939 film)
Kinemacolor faced several issues, including its inability to reproduce the full color spectrum due to being a two-colour process. Other issues included eye strain and frame parallax because it used a successive frame process, as well as the need for a special projector. The color filters absorbed so much light that studios had to be built open-air.
Saalivaahanan, a 1945 film by B. N. Rao, had a hand-coloured sequenced of a romantic scene by Ranjan and T. R. Rajakumari. This film is currently known to be lost with no surviving prints. A. V. M. Productions's Naam Iruvar (1947) and Vedhala Ulagam (1948) had hand-coloured sequences.