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For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.
In standard jazz harmony, tritone substitution works because the two chords share two pitches that themselves are a tritone apart: namely, the third and the seventh of the chord, albeit reversed. [8] In a G 7 chord, the third is B and the seventh is F; in its tritone substitution, D ♭ 7, the third is F and the seventh is C ♭ (enharmonically ...
IV-V-I-vi chord progression in C major: 4: Major ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. See also.
Because they do not have natural fifths, altered dominant (7alt) chords support tritone substitution (♭ 5 substitution). Thus, the 7alt chord on a given root can be substituted with the 13 ♯ 11 chord on the root a tritone away (e.g., G 7alt is the same as D ♭ 13 ♯ 11).
A borrowed chord (also called mode mixture, [1] modal mixture, [2] substituted chord, [3] modal interchange, [1] or mutation [4]) is a chord borrowed from the parallel key (minor or major scale with the same tonic).
The augmented chord on I may contain the major seventh (I 7 5 (Play ⓘ) or I 6 5 (Play ⓘ)), while the augmented chord on V may contain the minor seventh (V 7 5 (Play ⓘ), V 6 5 (Play ⓘ), or V 4 3 (Play ⓘ)). [1] In C: C–E–G ♯ –B and G–B–D ♯ –F. The augmented triad on the V may be used as a substitute dominant, and may ...
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Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).