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The One-Step Eight, so called from the number of beats it occupies, is a simple walk, with turn. The man's steps are the converse of the woman's; she pivots on her right foot, he on his left foot. Executed in closed position of the couple. The Square, originally a Tango figure, is equally effective in the One-Step. (1) From posterior third ...
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
One step occurs on each beat. A pace is the length of one step, assumed to be 75 cm or 30"; (not to be confused with the ancient Roman unit of length (2 steps or 5 Roman feet = 148 cm or 58")). The three most common paces are: Quick March: The basic mobility. 120 beats per minute (beats/min. or bpm). In the US this is called "quick time".
A series of small walks done on pointe or demi-pointe, traveling either forward (en avant) or backward (en arrière); the dancer stands in sous-sus and brushes one leg to the side, then closes it in the opposite position (front or back) of where it started, and repeats this motion several times in succession, alternating legs.
Reductio ad absurdum, painting by John Pettie exhibited at the Royal Academy in 1884. In logic, reductio ad absurdum (Latin for "reduction to absurdity"), also known as argumentum ad absurdum (Latin for "argument to absurdity") or apagogical argument, is the form of argument that attempts to establish a claim by showing that the opposite scenario would lead to absurdity or contradiction.
On the second step, the free foot crosses the skating foot and is placed on the ice beside the skating foot. crossed step behind An ice dance step that is begun with the free foot in the air. It is then crossed below the knee to the opposite side of the skating foot, so that the free foot touches down on the ice on the outside edge of the ...
Unlike derivational suffixes, English derivational prefixes typically do not change the lexical category of the base (and are so called class-maintaining prefixes). Thus, the word do , consisting of a single morpheme, is a verb, as is the word redo , which consists of the prefix re- and the base root do .
A 3–2 count – one with the maximum number of balls and strikes in a given at bat – is referred to as a full count. A count of 1–1 or 2–2 is called even, although the pitcher is considered to have the advantage on a 2–2 pitch because he can still throw another ball without consequence, whereas another strike means the batter is out.