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Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.
Bach's autograph of the traversière part of the second orchestral suite (BWV 1067). The four orchestral suites BWV 1066–1069 (called ouvertures by their composer) are four suites by Johann Sebastian Bach from the years 1724–1731.
Portrait of Johann Sebastian Bach. The English Suites, BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less well-known earlier suites), the others being the six French Suites (BWV 812–817), the six Partitas (BWV 825-830) and ...
Johann Sebastian Bach [n 1] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period.He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg ...
French Suites (Bach) L. Lute Suite in C minor, BWV 997; Lute Suite in E minor, BWV 996; O. Orchestral suites (Bach) Overture in the French style, BWV 831; P.
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."
Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classical music works" [3] and Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God".