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Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image.
In the image domain, clipping is seen as desaturated (washed-out) bright areas that turn to pure white if all color components clip. In digital colour photography, it is also possible for individual colour channels to clip, which results in inaccurate colour reproduction.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.
Charles O'Rear (pictured in 2007) is the photographer of Bliss. The photograph depicts a lush green rolling hill with cirrus clouds during a daytime sky, with mountains far in the background. [ 1 ] [ 2 ] It was taken by Charles O'Rear , a former National Geographic photographer and resident of St. Helena , California, in the Napa Valley region ...
An example of dodge & burn effects applied to a digital photograph. Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure.
Soft grunge photography often made use of desaturated colors or were black and white. [16] A particularly defining part of soft grunge photography was the use of instant cameras, [9] as well as the VSCO P5 filter. [16]
Photo collage featuring desaturated images of a couple, who are Ashley and Doug Benefield. Overlayed between these photos are scraps of paper in white and red, as well as a dark silhouette of a ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.