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In 2004, the song was inducted into the Grammy Hall of Fame. [9] The lyrics of this song were based on the astrological belief that the world would soon be entering the "Age of Aquarius", an age of love, light, and humanity, unlike the current "Age of Pisces". The circumstances for the change are given as: "When the moon is in the seventh house ...
Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot.The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s, and several of its songs became anthems of the anti-Vietnam War movement.
Hair ' s cast album stayed at No. 1 for 13 weeks in 1969. [2] The recording also received a Grammy Award in 1969 for Best Score from an Original Cast Show Album [3] and sold nearly 3 million copies in the U.S. by December 1969. [4] The New York Times noted in 2007 that "The cast album of Hair was ... a must-have for the middle classes. Its ...
The musical’s title song begins as character Claude slowly croons his reason for his long hair, as tribe-mate Berger joins in singing they "don't know." [1] They lead the tribe, singing "Give me a head with hair," "as long as God can grow it," [1] listing what they want in a head of hair and their uses for it.
Aquarius/Let the Sunshine In; E. Easy to Be Hard; G. Good Morning Starshine; H. Hair (Hair song) L. Let the Sunshine In; T. Three-Five-Zero-Zero
MacDermot also composed music for film soundtracks, jazz and funk albums, and classical music, and his music has been sampled in hit hip-hop songs and albums. He is best known for his work on Hair, which produced three number-one singles in 1969: "Aquarius/Let the Sunshine In", "Good Morning Starshine", and the title song "Hair".
The latter was a new song written by MacDermot for the film. Several other differences from songs in the movie appear on the soundtrack, mainly in omitted verses and different orchestrations. One notable difference is that the Broadway version used only a jazz combo while the movie soundtrack use orchestrations that make ample use of full horn ...
The most famous recording of this song featured Pebbles and Bamm-Bamm on The Flintstones "No Biz Like Show Biz" episode (which originally aired September 17, 1965). The clip of them performing this song was sometimes played during the closing credits in the show's final season (1965–1966), this episode being the opener of that season.