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Development of the Aeron chair began in the late 1970s, after Herman Miller hired designers Don Chadwick and Bill Stumpf.They sought to design a chair that improved upon the shortcomings of La-Z-Boy recliners that were often used in residential and medical settings for the elderly, and completed a prototype called the Sarah Chair in 1988.
George Nelson's influence at Herman Miller gradually declined during the 1970s as new designers joined the company, including Don Chadwick and Bill Stumpf, who in the 1990s developed the highly-successful Aeron chair. [8] In 1981, Herman Miller started to work with the Italian designer Clino Trini Castelli on the process of designing physical ...
The chair was produced from 1946 until 1947 by Evans Molded Plywood of Venice Beach, California, for the Herman Miller furniture company in Zeeland, Michigan. In 1947 Herman Miller moved the production of the chairs to Michigan, where production continues [ 1 ] —after a hiatus from 1957 to 1994.
Created Date: 8/30/2012 4:52:52 PM
A 1956 rosewood Eames Lounge Chair and ottoman are in the permanent collection of the Museum of Modern Art in New York City. The set was a gift of the Herman Miller Company, donated in 1960. [citation needed] A rosewood Eames Lounge Chair and ottoman are on display at the Henry Ford Museum in Dearborn, Michigan. [11]
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William Eugene Stumpf (March 1, 1936 – August 30, 2006) was an American furniture designer who helped design the Aeron, Embody and Ergon chairs for Herman Miller.. It was at the University of Wisconsin-Madison where Stumpf, working with specialists in orthopedic and vascular medicine, conducted extensive research into ergonomics, specifically in the way people sit.
Officially listed by Herman Miller as the Marshmallow love seat #5670, the sofa was designed for both residential and contract (office) sales. [1] The playful design of the Marshmallow sofa is the result of the placement of circular "marshmallow" cushions at regular intervals across a metal frame. [5]