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In part, this is because first-generation (late-1960s through mid-1970s) 48-volt phantom-powered condenser microphones had simple circuitry and required only small amounts of operating current (typically less than 1 mA per microphone), so the phantom supply circuits typically built into recorders, mixers, and preamps of that time were designed ...
Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]
Condenser microphones have impedance converter (current amplifier) circuitry that requires powering; in addition, the capsule of any non-electret, non-RF condenser microphone requires a polarizing voltage to be applied. Since the mid- to late 1960s most balanced, professional condenser microphones for recording and broadcast have used phantom ...
Condenser microphones require a power source, provided either via microphone inputs on equipment as phantom power or from a small battery. Power is necessary for establishing the capacitor plate voltage and is also needed to power the microphone electronics.
During the period from 1953 to 1956 Neumann introduced a series of small condenser microphones (KM 53, 54 and 56) especially for use in television broadcast studios. In 1957 they introduced the SM 2 microphone, which was essentially a pair of KM 56 microphones in a single body, arranged so that their directional patterns could be controlled ...
Some microphones such as condenser microphones require power. An alternative to battery power is phantom power, which consists of direct current applied equally through the two signal lines of a balanced audio connector, usually a three-pin XLR connector. The supply voltage is referenced to the ground pin of the connector (pin 1 of an XLR ...