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Robert Farris Thompson was a professor at Yale University who conducted academic research in Africa and the United States and traced Hoodoo's (African American conjure) origins to Central Africa's Bantu-Kongo people in his book Flash of the Spirit: African & Afro-American Art & Philosophy.
Ritual fighting (or ritual battle or ritual warfare) permits the display of courage, masculinity, and the expression of emotion while resulting in relatively few wounds and even fewer deaths. Thus such a practice can be viewed as a form of conflict-resolution and/or as a psycho-social exercise.
Art and oracle: African art and rituals of divination. New York: The Metropolitan Museum of Art. ISBN 978-0-87099-933-8. Archived from the original on 2013-05-10. Lugira, Aloysius Muzzanganda. African traditional religion. Infobase Publishing, 2009. Mbiti, John. African Religions and Philosophy (1969) African Writers Series, Heinemann ISBN 0 ...
Instead the African American church focused on the message of equality and hopes for a better future. [13] African-American spirituals (Negro Spirituals) were created in invisible and non-invisible Black churches. The hymns melody and rhythms sounded similar to songs heard in West Africa. Enslaved and free people created their own words and tunes.
Christian militias in the Central African Republic have also kidnapped, burnt and buried alive women accused of being 'witches' in public ceremonies. [35] Ngangas are spiritual healers in Central Africa and use divination to detect evil witches and perform rituals to remove witchcraft by making nkisi nkondi to hunt and punish sorcerers.
The traditional beliefs and practices of African people are highly diverse beliefs that include various ethnic religions. [4] [5] Generally, these traditions are oral rather than scriptural and passed down from one generation to another through folk tales, songs, and festivals, [6] [7] include belief in an amount of higher and lower gods, sometimes including a supreme creator or force, belief ...
The book, which features contributions from academics Mamadou Diouf, Yasmina Price, and Zoé Samudzi, is split into two sections: one on African photographers and another on African filmmakers.
Ukuthwasa is a Southern African culture-bound syndrome [1] [2] associated with the calling and the initiation process to become a sangoma, a type of traditional healer. In the cultural context of traditional healers in Southern Africa, the journey of ukuthwasa (or intwaso) involves a spiritual process marked by rituals, teachings, and preparations.