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Lunch atop a Skyscraper. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City. It was a staged photograph arranged as a publicity ...
Monochrome photography. Monochrome photography, or is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography.
Nautilus. (photograph) Nautilus (1927) Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
This shimmery white number is easily one of Parton’s most low-key ensembles. That said, it still features many of her favorite design details. Despite its subdued colorway, the knee-length dress ...
Robert Mapplethorpe. Robert Michael Mapplethorpe (/ ˈmeɪpəlˌθɔːrp / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images.
"I had to make some aesthetic choices." While the makeup work in "The Elephant Man" benefited from that film's grainy black-and-white cinematography, the prosthetics in "A Different Man" had to ...
Originally, all photography was monochrome, or black-and-white. Even after color film was readily available, black-and-white photography continued to dominate for decades, due to its lower cost, chemical stability, and its "classic" photographic look. The tones and contrast between light and dark areas define black-and-white photography. [41]
Each of the five women – Stephanie Seymour, Cindy Crawford, Christy Turlington, Tatjana Patitz and Naomi Campbell – was a noted muse, friend, and frequent subject of the photographer's fashion and fine art work. [2] The photograph is one of the original images that ushered in the 1990s pop-cultural phenomenon of the supermodel.