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The first sample is a backmasked vocal sample by Kirsty Hawkshaw from "It's a Fine Day" by Opus III (1992). Ed Barton , the composer of "It's a Fine Day", receives a co-writing credit for the track. The second is a vocal harmonies sample in the song " Leave It " from the 1983 album 90125 by the progressive rock band Yes . [ 2 ]
Avicii has stated that he made the song so that he could incorporate a vocal sample from the 1962 gospel-inspired song "Something's Got a Hold on Me" by Etta James. The music video was directed by Petro Papahadjopoulos, who came up with the concept after a phone interview with Avicii about the supposed "symbolism" behind "Levels".
"High Roller" features samples of several NASA communications made during the Apollo 8 space mission. "Trip Like I Do" uses samples from the Jim Henson film The Dark Crystal, and the female vocals heard throughout the song were taken from an answering machine message that Scott Kirkland had received from a woman he met in a club. [12]
A total of nine samples are used in the song. The song features a prominent vocal sample from the opening of "Take Yo' Praise" [3] by Camille Yarbrough, as well as a prominent piano sample from the track "Balance and Rehearsal" from a test album entitled Sessions released by audio electronics company JBL in 1973.
"Porcelain" is a song by American electronic musician Moby. It was released on April 25, 2000, as the sixth single from his fifth studio album Play (1999). Written by Moby, who also performs vocals on the recording, "Porcelain" is a melancholic song with lyrics reflecting on the breakup of a relationship.
"Weapon of Choice" features a lead vocal by Bootsy Collins, known as a member of the funk group Parliament-Funkadelic and leader of Bootsy's Rubber Band. On the album version, Collins's normal vocals are heard through the right audio channel; the same vocals, distorted to a much deeper pitch, are heard through the left.
"Pump Up the Volume" is the only single by British recording act M|A|R|R|S. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British house music [1] and music sampling.
Early in 1996, Garbage's manager Shannon O'Shea pitched "#1 Crush" to 20th Century Fox for inclusion on the Romeo + Juliet movie. The song was received enthusiastically by Fox; however Almo were dead set against the sync opportunity as the soundtrack would be released on another label, Capitol. After months of negotiation, Almo finally agreed.