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Stage combat. A swordfight from a stage production of Macbeth. Stage combat, fight craft[1] or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions.
Graham technique is a modern dance movement style and pedagogy created by American dancer and choreographer Martha Graham (1894–1991). [1] Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide. [2] It is widely regarded as the first codified modern dance technique, [3] and strongly ...
In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of human movement and form in terms of space, shape, time and energy, typically within an emotional or non-literal context. Movement language is taken from the dance techniques of ballet ...
Michael Bennett (April 8, 1943 – July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for ...
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema. Improvisation is a free, seemingly unstructured, less technically strict and impulsive form that draws inspiration ...
Laban movement analysis. Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban, which was developed and extended by Lisa Ullmann, Irmgard Bartenieff, Warren Lamb and others.
A group of figures in front of a window, formed by dance students at Laban's Choreographic Institute in Berlin-Grunewald (November 1929).. Laban was the son of Rudolf Laban Sr. (1843–1907), a military governor in Pressburg (Pozsony) [2] and (from 1899) field marshal in the Austro-Hungarian Army in the provinces of Bosnia-Herzegovina, [7] and Marie (née Bridling; 1858–1926). [2]
Viewpoints is a movement-based pedagogical and artistic practice [1] that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body. Rooted in the domains of postmodern theatre and dance composition, the Viewpoints operate as ...