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Carmen (French: ⓘ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy , based on the novella of the same title by Prosper Mérimée .
A piece of the Toreador Song's sheet music, with lyrics translated to English by Jerry Castillo, is owned by the Smithsonian Institution and kept in the National Museum of American History. [15] The series Thermae Romae Novae features an adaptation of the Toreador Song. The adaptation was specifically created for the series to reflect the theme ...
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.
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The opera is based on Part III of the story and omits many elements, such as Carmen's husband. It greatly increases the role of other characters, such as the Dancaïre, [d] who is only a minor character in the story; the Remendado, [e] who one page after he is introduced is wounded by soldiers and then shot by Carmen's husband to keep him from slowing the gang down; and Lucas (renamed ...
The main theme of the piece originates from the energetic Gypsy Dance from act 2 of Bizet's opera Carmen (Les tringles des sistres tintaient), a theme that has been used by many for various other variations and transcriptions, including Moritz Moszkowski's "Chanson bohème de l'opéra Carmen". [1] Horowitz wished the piece not to be published.