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Numerous Indigenous Australians are noted for their participation in, and contributions to, the Visual arts of Australia and abroad. Contemporary Indigenous Australian art is a national movement of international significance with work by Indigenous artists, including paintings by those from the Western Desert, achieving widespread critical acclaim.
The Arnhem, Northern and Kimberley Artists, Aboriginal Corporation (ANKA) is the peak body for Aboriginal artists and Aboriginal-owned community art centres across around a million square kilometres in the Top End of the Northern Territory and Western Australia. It is a not-for-profit Aboriginal Corporation. [6]
According to Walsh, Gwion Gwion art was associated with a period he called the Erudite Epoch, a time before Aboriginal people populated Australia. He suggested that the art may be the product of an ethnic group who had likely arrived in Australia from Indonesia, only to be displaced by the ancestors of present-day Aboriginal people. Walsh based ...
A number of prominent Western Australian Aboriginal Artists started their work at Marribank, and were the subject of two national travelling benchmark exhibitions curated by the Director of the Berndt Museum of Anthropology at The University of Western Australia, "Nyungar Landscapes" containing elements of the extensive Melvie, Stan and Gael ...
Wandjina rock art on the Barnett River, Mount Elizabeth Station. The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from the Wanjina Wunggurr cultural bloc of Aboriginal Australians, depicted prominently in rock art in northwestern Australia.
Gwion Gwion rock art found in the north-west Kimberley region of Western Australia Pictographs known as Wandjina in the Wunnumurra Gorge, Barnett River, Kimberley, Western Australia Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders , including collaborations with others.
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as dot painting.
Tommy Watson began painting in 2001, and was one of a handful of painters establishing the Irrunytju community art centre in 2001. [2]Watson's work has received critical acclaim, both within Australia and internationally, with art critics drawing parallels between Watson and Western Abstract painters such as Wassily Kandinsky, Piet Mondrian, Kasimir Malevich, Mark Rothko and Barnett Newman. [11]