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Salsa dancers in Havana, Cuba. In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and ...
Tumbadoras (conga drums), one of the basic instruments of salsa music. Salsa music is a style of Caribbean music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin.
Salsa music (3 C, 24 P) Son cubano (5 C, 6 P) Pages in category "Cuban styles of music" The following 36 pages are in this category, out of 36 total.
The conga became, and perhaps still is, the best-known Cuban music and dance style for non-latins. Mozambique is a comparsa-type dance music developed by Pello el Afrokan (Pedro Izquierdo) in 1963. It had a brief period of high popularity, peaked in 1965, and was soon forgotten.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Salsa songs (28 C, 33 P) Pages in category "Salsa music" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. ...
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
The cha-cha-cha, or simply cha-cha, is the name of a dance of Cuban origin. [7] [8] It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat.