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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In that case, it can mean either accent the note in question by holding it to its full length (or longer, with slight rubato), or play the note slightly louder. In other words, the tenuto mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive ...
The marcato is essentially a louder and often shorter version of the regular accent > (an open horizontal wedge). Like the regular accent, however, the marcato is often interpreted to suggest a sharp attack tapering to the original dynamic, [ 4 ] an interpretation which applies only to instruments capable of altering the dynamic level of a ...
Accents may be written into a score or part by a composer, or added by the performer as part of their interpretation of a musical piece. Compared to surrounding notes: A dynamic accent or stress accent is an emphasis using louder sound or stronger sound; typically, most pronounced on the attack of the sound.
Western music has a set of traditional articulations that were standardized in the 19th century [3] and remain widely used. [1] Composers are not limited to these, however, and may invent new articulations as a piece requires. [4] When writing electronic and computer music, composers can design articulations from the ground up. [5]
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One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.