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TASCAM is the professional audio division of TEAC Corporation, ... FW-1884 - FireWire Audio and Control Surface - 2003 PAR Excellence Award [55] US-122 ...
The HUI protocol was created jointly by Mackie and Digidesign in 1997 for Mackie's Human User Interface (HUI), the first non-Digidesign hardware control surface for Digidesign’s Pro Tools. [3] [4] It was subsequently implemented by hardware controllers from manufacturers such as Solid State Logic, [5] Yamaha, [3] TASCAM, [2] and Novation. [3]
A large control surface, the Digidesign Profile. This surface connects to the mixing hardware by way of four coaxial cables. In the domain of digital audio, a control surface is a human interface device (HID) which allows the user to control a digital audio workstation or other digital audio application. Generally, a control surface will ...
The DA-88 was a digital multitrack recording device introduced by the TASCAM division of the TEAC Corporation in 1993. This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [1]
Audio control surface, a human interface device (HID) which allows the user to control a digital audio; Flight control surfaces, allow a pilot to adjust and control the aircraft's flight attitude; Diving plane, a control surface in submarines; Control surface (fluid dynamics), a surface—enclosing a control volume—through which a ...
This could be as simple as a mouse and keyboard or as sophisticated as a piano-style MIDI controller keyboard or automated audio control surface for mixing track volumes. [6] The computer acts as a host for the sound card, while the software provides the interface and functionality for audio editing.
In the second song “Single,” Navarro plays a twinkling guitar pattern that bobs like the surface of the ocean, while Avery created a composite poem from real L.A. Weekly singles ads ...
The most common usage is the DB25, using TASCAM's pinout (now standardised in AES59 by the Audio Engineering Society [1]). To avoid the possibility of bent pins on fixed equipment, the male connector is generally fitted to the cabling and the female connector to the equipment. The DD50 connector usage is described in AES-2id. [2]