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After Blue Note discontinued their 10" series, A Night at Birdland was recompiled on two 12" LPs and given new artwork.A Night at Birdland, Vol. 1 (BLP 2037) was put on Side A of Volume 1 (BLP 1521) backed with two tracks of the three tracks from A Night at Birdland, Vol. 2 (BLP 2038) ("Mayreh" and "A Night in Tunisia"), with Volume 2 (BLP 1522) comprising A Night at Birdland, Vol. 3 (BLP 2039 ...
Volumes 1 and 2 were issued on CD in 1987 with new artwork based on the original ten-inches and two additional tracks each: an alternate take of "Wee-Dot" and an improvisational piece titled "Blues" on Volume 1, and "The Way You Look Tonight" and "Lou's Blues" on Volume 2—issued as side's one and two of the 12" A Night at Birdland, Vol. 3 released by Toshiba three years previously in 1984 ...
Birdland 1951 is a live album by American jazz musician Miles Davis, released on January 27, 2004, by Blue Note Records and recorded from February 17, 1951, through September 29, 1951, in Birdland, from radio broadcasts. Three different broadcasts were chosen: two comprising six cuts in total were from June and September and have been issued in ...
The AllMusic reviews called the albums "still timeless music" [5] that have "influenced jazz up to present time". [6]The Penguin Guide to Jazz noted, while At the Cafe Bohemia didn't "match the intensity which the quintet secured at Birdland", the playing in general "is just as absorbing", calling saxophonist Hank Mobley "a somewhat unfocused stylist" while praising trumpeter Kenny Dorham as ...
At one of his band’s shows in June, Grohl insinuated that the pop star does not sing live at her concerts. “You don’t want to suffer the wrath of Taylor Swift,” Grohl told the London crowd.
In addition to singing some of his biggest hits, he covers tracks from his live albums ("In the Morning" from Johnny Mathis in Person: Recorded Live at Las Vegas and "To the Ends of the Earth" from Unforgettable – A Musical Tribute to Nat King Cole), songs from Brazil ("Manhã de Carnaval" from Olé and "Brazil (Aquarela do Brasil)" from The ...
The concert was recorded in black and white. [2]Of the four tracks, "The Hub" and "Crisis" are Hubbard compositions. [1] Hubbard's "strikingly unpredictable solos, at times distantly related to Red Allen's, are the main attraction though Blakey plays a phenomenal solo on 'Crisis', the flashing sticks superimposed very effectively over his smiling face.
Michael G. Nastos of Allmusic stated "Of the many live recordings with different Jazz Messengers lineups, this ranks among their best, and is a springboard for what the Marsalis brothers would offer as artists in their own right. With Blakey, this combination was special".